Nexus Point News https://validator.w3.org/feed/docs/rss2.html REVIEW: ‘Animol’ Is a Gripping Directorial Debut from Ashley Walters REVIEW: Luca Guadagnino’s ‘Artificial’ Is a Sharp, Darkly Comic Drama (LFF) INTERVIEW: Agnez Mo and Anggun Discuss ‘Reacher’ Season 4 and Asian Representation REVIEW: Prime Video’s ‘Drawn Together’ is Powered by Chemistry INTERVIEW: ‘Big City Greens’ Star Cricket Green Talks Season 5, Marvel and Disney of It All REVIEW: ‘Sour Minnows’ is a Strangely Modern Nightmare (Fantasia) REVIEW: ‘Youth’ Episode 7 Is a Harsh Dose of Reality ‘Obsession’ Stars Michael Johnston and Inde Navarrette Talk Character Complexity, the Film’s Reception and X-Men (Interview) REVIEW: ‘Wildwood’ Is the Year’s Most Delightful Fantasy Adventure ‘Fourth Wing’ Finds Its Violet and Xaden: Everything We Know About Prime Video’s Adaptation REVIEW: ‘Newlyweds’ Is Off to a Shaky Start for NBC REVIEW: ‘Everybody Wants to F*ck Me’ Is an Outrageous Good Time (TIFF) REVIEW: Penélope Cruz Shines in an Uneven ‘Bunker’ (LFF) REVIEW: ‘Clayface’ is the Major Comeback That DC Studios Needed to Stay in the Graces of the Public REVIEW: ‘VisionQuest’ Continues with Its Swift Pacing and Strong Focus on Identity in Episodes 3 and 4 REVIEW: ‘Prima Facie’ Misses its Potential Everything to Know About ‘ Law & Order: SVU’ Season 28 REVIEW: Chris Rock Disappoints with ‘Misty Green’ REVIEW: ‘Call of Duty: Modern Warfare 4’ Refuses to Hold Back in Epic Conclusion REVIEW: ‘Youth’ Episode 6 Finds Humour in the Mess of Modern Romance REVIEW: ‘Animals’ Is Ben Affleck at His Most Boring ‘Street Fighterʼ Director Kitao Sakurai Talks Accepting New Takes on Iconic Characters and Working with Titmouse on Animated Sequences (Interview) REVIEW: ‘Club Kid’ is an Electrifying Debut from Jordan Firstman (FNC) Three Couples, Eight Envelopes, and Secrets: Nacho Arenas Talks ‘Blow the Horn’ (Interview) REVIEW: ‘Cyberpunk: Edgerunners 2’ Finds a Deeper Connection with the Game’s Lore REVIEW: ‘The Diplomat’ Season 4 Raises the Stakes for Kate Wyler Everything You Need to Remember Before Watching ‘Tracker’ Season 4 ‘Always Lalisa’ Director Sue Kim Talks Lisa’s Transformation and Self-Discovery (Interview) REVIEW: ‘Avatar: Seven Havens’ Episodes 4-6 Up the Ante at a Heavy Cost The Cast of ‘Street Fighter’ Talk Preparation, Gundam, and Taking on Criticism (Interview) REVIEW: Kitao Sakurai’s ‘Street Fighter’ Plays It Bold and Risky, Which Yields Diminishing Returns REVIEW: ‘Hollywood Arts’ Is a Surreal, Victorious Underdog Story REVIEW: ‘Whalefall’ Is a Claustrophobic Nightmare with a Surprising Emotional Punch REVIEW: ‘You Can See Everything’ Is an Unreal Feat of Mesmerizing Filmmaking and Might Be the Greatest Documentary Ever Conceived REVIEW: ‘VisionQuest’ Delivers a Well-Paced and Fantastic Premiere REVIEW: Brad Bird’s ‘Ray Gunn’ Is an Engaging Ride (LFF) REVIEW: ‘Josephine’ is an Uncomfortable Timely Viewing (LFF) REVIEW: ‘VisionQuest’ Is a Worthy Successor to ‘WandaVision’ Exploring Grief, Identity and Family REVIEW: ‘Youth’ Episode 5 Is the Series at Its Strongest REVIEW: ‘Wicker’ Is a Poignant Love Story That Explores Devotion (LFF) REVIEW: ‘Avatar: Seven Havens’ Feels Like the Right Direction for the Avatar Franchise REVIEW: ‘The Social Reckoning’ Is a Reckoning That’s Ultimately Too Little and Far Too Late REVIEW: ‘Ted Lasso’ Season 4 Finale Should Be a Farewell REVIEW: ‘Avengers: Endgame Encore’ Is Still a Good Film, But New Additions Are Not Worth the Fuss REVIEW: ‘Ted Lasso’ Season 4 Remains Unsure of Itself REVIEW: ‘Youth’ Episode 4 Is a Masterclass in Cringe  REVIEW: ‘Youth’ Episode 2 Is Sharon Horgan at Her Best Steve Cox and Matthew Walker Discuss Production Time on ‘Shaun the Sheep: The Beast of Mossy Bottom’ and Its Original Plan (Interview) REVIEW: ‘La Bola Negra’ Is a Stunning Queer Odyssey (TIFF) Home